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A Minor pentatonic123456789101112EADGBEEGACDEACDEGADEGACDGACDEGCDEGAEGACDE

A Minor pentatonic

ACDEG

Formula : 1 ♭3 4 5 ♭7

Related scales

How to use the tool

  1. Choose the key (the twelve roots) and the scale: major, natural, harmonic or melodic minor, major and minor pentatonic, blues, the seven modes (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian), Phrygian dominant, whole tone, diminished.
  2. Set up the fretboard: tuning (standard, drop D, DADGAD, open tunings and more), number of frets shown (12, 15 or 22) and left-handed mode.
  3. Choose how notes are labelled: name, interval (1, ♭3, 5 and so on) or degree. The root is always coloured, so you can spot your anchor points at a glance.
  4. Highlight the tonic chord tones to see which notes in the scale sound like home: root, third and fifth. Aiming for these on strong beats is the foundation of a solo that holds together.
  5. Below the fretboard, the diatonic chords of the key link to the chord dictionary for each one.

Guitarist’s tips

  • Learn one position, then connect it to the next. A pentatonic box is only useful if you know how to leave it. Practise the slide that takes you from position 1 to position 2 on the same string, then the same between 2 and 3. The 22-fret view shows the way.
  • Play the scale over a chord, never in a vacuum. Record a chord or a progression on a loop (a looper or this site’s progressions tool will do) and play the scale over it. Without harmonic context, the ear learns nothing.
  • Go up and down in time, with the metronome, in quavers then triplets. A scale is a right-hand exercise as much as a left-hand one.
  • Sing the note before you play it. It sounds like schoolwork, but it is the fastest way to link finger position to sound, and thus to end up improvising without looking at the neck.
  • One scale, three fingerings. On the modes, try a three-notes-per-string position: the fingering changes but the notes do not, and fast passages become more fluid.

Limits and transparency

The tool shows every note of the scale across the chosen section of the neck. It does not split them into numbered positions (the five pentatonic boxes, the seven CAGED positions): that split varies between methods, and we prefer to show the whole scale rather than impose a system.

Fingerings are not shown: they depend on the starting position, the tempo and the hand. Exotic scales (double harmonic, Hungarian, scales with more or fewer than seven notes beyond the diminished and whole tone) are not included; the sixteen entries cover the essentials of rock, blues, pop, jazz and metal.

Finally, the tool does not play the scale: to hear it, use the chord dictionary or the progressions, or better still, play it on your guitar.

Going further

Frequently asked questions

Which scale should I learn first on guitar?

The minor pentatonic, no question. Five notes, one box shape at the 5th fret in A minor, and it works over almost all blues and rock and a good share of pop. Add the blue note for the blues scale, then the major scale when you want to understand where chords come from.

What is the difference between a scale and a mode?

A mode is a scale that starts on another degree of the major scale: Dorian starts on the second degree, Mixolydian on the fifth. The notes are the same as the parent major scale, but the resting note changes, and with it the colour. D Dorian uses the notes of C major but revolves around D.

How do I know which scale to play over a chord?

Start by identifying the key of the song, then play the matching scale: major or major pentatonic over a major key, natural minor or minor pentatonic over a minor key. Over an isolated dominant 7 chord, Mixolydian or the blues scale work. The tool highlights the notes of the tonic chord to help you aim for the notes that sound right.

Do I need to learn all five pentatonic positions?

Yes, but not all at once. Learn the first position thoroughly, then the second, and above all the move from one to the other by sliding along a string. Positions are not isolated boxes: the goal is to see the whole scale across the neck, which the 22-fret mode of this tool shows well.

Do scales change in drop D or DADGAD?

The notes of the scale do not change, but their location on the retuned strings does. Select your tuning in the tool and the fretboard updates: in drop D, everything played on the sixth string shifts up a whole tone, the rest stays put.

Last updated: 11 September 2026